"I feel so disconnected from nature. Maybe it’s where I live – it can be hard to spend time outside," said Jacob in a somewhat resigned tone. We sat on the ground. The sea wind from Kent’s North Coast tussling the long tussock grass. Orange fritillary butterflies wove through the swaying meadow. We were halfway through the workshop, which I ran in collaboration with Kent Wildlife Trust. The conversation had taken on a more intimate tone. Another participant, Rae, agreed with Jacob, feeling that they had a strong urge to connect to the environment – however that looked for them – but there were many impediments in the way. Seagull cries told us that the waves were not far, although our view was spotted with pink willow herb and pale green beech trees. The sea was hidden behind a hill.
By the end of the two hours, it was clear that both Jacob and Rae did sustain intense, emotional relations to the environment. Jacob is preparing a second event to raise awareness about light pollution at night, where large proportions of light are switched off to allow people to appreciate the night sky in urban centres. Urban light can greatly disrupt the life cycles of animals, who might depend on darkness to hunt or reproduce. Rae felt a strong pull towards ‘unwanted plants’: wild plants often deemed weeds or invasive. Rae tried to alter their often negative depiction through their art practice, helping to build appreciation of so called ‘weeds’ that are often crucial habitats for billions of insects and microbes1.
1 Both workshop participants consented to me writing about them. Rae is a pseudonym.